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  <a href="/music-blog/blog/185210/kravitz-s-black-and-white-america-there-s-a-great-album-in-it-somewhere">Kravitz&#39;s &quot;Black and White America&quot; – There’s A Great Album In It . . . Somewhere</a>&nbsp;
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Lenny Kravitz’s <i>Black and White America</i> is an epic 16-song work filled with socially conscious lyrical themes and funky throwback soul grooves. Like many of his previous albums, Kravitz plays most of the instruments. <i>Black and White America</i> includes some of his greatest songs, but is ultimately held back by a failure to eliminate the clunkers. Although he is a proficient multi-instrumentalist and songwriter, perhaps he may have benefited from some input from outside musicians? The album starts off strong, but a lot of the last third of the album is ultimately forgettable. Had Kravitz trimmed off some of the fat, <i>Black and White America </i>could have been the best album of his career.</div>
<br>
The record opens with the awesome title track, “Black and White America.” The song is catchy and definitely nods to Isaac Hayes’s “Shaft” in its usage of horns and strings and the call and response backing vocals. Lyrically, it’s political, but hopeful and musically it’s just a darn good time. The momentum is kept up with “Come On Get It” and “Into the Black.” Skip “Liquid Jesus” and then the party continues with the Bowie-esque “Rock Star City Life.” “Boongie Drop” features guest appearances by DJ Military and Jay Z, but sounds out of place kind of like an outtake from No Doubt’s Rock Steady. Some of the more mediocre moments are his James Brown-impersonation “Life Ain’t Ever Been Better Than It Is Now” and the cheesy ballad “Dream” sounds very R. Kelly’s “I Believe I Can Fly.” However, there are plenty of redeeming moments like the Zeppeliny “Everything,” the sexy “Superlove” and the album’s closer “Push.”<br><br>
All in all, <i>Black and White America</i> is a good album that could have been a great album had Kravitz been more selective. Check out the excellent “Black and White America,” “Rock Star City Life” and “Push.”<br></div>
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    <p class="post-info"><span data-time="2011-09-15T09:00:00-04:00" title="September 15, 2011 09:00">09/15/2011</span></p>

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  <a href="/music-blog/blog/185208/blink-182-are-back-with-their-new-single-up-all-night">Blink-182 Are Back With Their New Single &quot;Up All Night&quot;</a>&nbsp;
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One day Blink-182 will be in the Rock and Roll Hall of Fame.    There, I said it.  Haters be damned, you know that they deserve it! Along with Green Day, they brought about the punk-pop movement and released a string of hit singles and classic albums, inspiring countless kids to pick up guitars and start bands.<br><br>
This past Friday, Blink-182 released their first new single since 2005. The song “Up All Night” picks up where the band left off with their last full-length 2003’s Blink-182. The song has a “Down” meets “Anthem Part 2” vibe. It opens with some spacey drums before a heavy rock riff kicks in. Duel lead singers, Tom DeLonge and Mark Hoppus, then trade lines back and forth on the verse. It is so nice to here those voices together again, especially when they harmonize in the chorus on: “And all these demons, keep me up all night.” So good, that listeners might even forgive Tom for recycling the chorus melody line from his Angel’s and Airwaves song “Do It For Me Now” in “Up All Night’s” pre-chorus. Woops! “Up All Night” won’t go down as Blink’s greatest song, but the song is strong and shows that this veteran band is still growing musically. In the end, it’s good to have them back! Here at the Rolling Clone Blogazine, we can’t wait to hear the full-length album!<br><br>
You can stream “Up All Night” on Blink-182’s official website.<br></div>
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    <p class="post-info"><span data-time="2011-07-17T08:55:00-04:00" title="July 17, 2011 08:55">07/17/2011</span></p>

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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/music-blog/blog/185202/the-kills-return-dirtier-and-better-than-ever">The Kills Return Dirtier and Better Than Ever!</a>&nbsp;
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<br>
 Between the last two Kills records, singer Alison Mosshart made two psychedelic blues rock albums with Jack White and the Dead Weather. Though they were solid records, it is nice to see her return to her original group with Jamie Hince to make <i>Blood Pressures</i> (now if only Jack White would rethink the fate of the White Stripes! – but I digress). <i>Blood Pressures </i>is great. It’s a dirty rock record with a lot of fight to it. Track by track the Kills have made a consistently strong album. The driving low-tom drum beat and ambient guitars of the opener “Future Starts Slow” create a soundscape perfect for a late night drive or your next flight from justice. The Strokes-esque “The Heart is a Beating Drum” is a highlight as are “Damned If She Do” and the playful “Baby Says.” The song “Wild Charms” which is the only track sung by Hince has a vibe similar to John Lennon’s “Jealous Guy” and transitions nicely with Mosshart’s vocals on the following song “DNA.” In the end, check out this record if you are looking for something to fill the gaping hole in your heart The White Stripes left when they broke up.<br><br>
Essential Tracks: “The Future Starts Slow” &amp; “The Heart is a Beating Drum”<br></div>
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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/music-blog/blog/185200/fleet-foxes-helplessness-blues-a-thoughtful-journey-through-the-past">Fleet Foxes Helplessness Blues – A Thoughtful Journey Through The Past </a>&nbsp;
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<div style="text-align: left; ">It’s hard to open up a music magazine these days and not hear some hype about Fleet Foxes. This Tuesday, their second album Helplessness Blues was released and it is one of the year’s best. If you are into chill Americana-folk music with beautiful harmonies, you should check out this record. The songwriting allows listeners to imagine what a Simon and Garfunkel record would have sounded like if Brian Wilson had arranged the harmonies with a little help from Crosby, Still and Nash. The opener “Montezuma” with its chorus of “Oh man! What I used to be. Oh man! Oh my! Oh me!” is a playful nod to the Pet Sounds/SMiLE-era Beach Boys while many of the other lyrics are reminiscent of Paul Simon with their melodic and rhythmic precision and thoughtful poetic imagery. “The Plains/Bitter Dancer” recalls The Beach Boys “Feel Flows” and the waltzy “Lorelai” feels like Dylan’s “4th Time Around” with it’s arpeggiated acoustic guitar. Overall, Fleet Foxes have learned from some of the best and are now adding some beautiful music to the canon.</div>
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<br>
Stand out tracks are the title track “Helplessness Blues,” “Montezuma,” and “Lorelai.” Helplessness Blues is a record for fans of Simon and Garfunkel, The Beach Boys, CSN and Mumford and Sons.</div></div>
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    <p class="post-info"><span data-time="2011-05-06T08:45:00-04:00" title="May 06, 2011 08:45">05/06/2011</span></p>

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